The Jhizhiya move remains a dynamic expression of social
legacy in Mithilanchal. This particular society move, celebrated in the Mithila
locale, holds a extraordinary put in the merriments of Dashain.
Traditionally performed from Ghatasthapana to Vijayadashami,
Jhizhiya serves as a tribute to the goddess and is established in Purnatantric
customs. It is commonly accepted that the move was initially planning to defend
children and communities from noxious spirits.
The customs related with Jhizhiya point to check the impact
of witchcraft and other powerful components. For occasion, entertainers utilize
a burning light and a chime with various gaps as portion of the custom. The
dancers’ characteristic head developments symbolize more profound implications
tied to the execution. The move is characterized by its special song and beat,
making a captivating air as the artists, decorated with Jhumi headpieces, whirl
and sway.
While a few see Jhizhiya as an obsolete superstition, it
proceeds to flourish in locales like Dhanusha, Mahottari, Siraha, Sarlahi,
Bara, and Parsa, as well as in the Mithila region of India. The move is thought
to have advanced from the antiquated Ghata move, a reflection of Vedic
conventions, amid the period when Tantra Shakti was conspicuous, between the
6th and 11th centuries. Social specialists accept that this authentic setting
has altogether impacted the improvement of Jhizhiya, making it a cherished
portion of Mithila's imaginative bequest.
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